Canon Speedlite 600EX II-RT Flash/Strobe |
Complete with built-in radio transmission wireless functionality, the Speedlite 600EX II-RT sits at the top of Canon's on-camera E-TTL / E-TTL II compatible flash lineup with a powerful guide number of 197' at ISO 100 and 200mm. This revision improves continuous flash performance by 1.1-1.5x, or up to 2.0x with optional battery pack, simplifies the menu system for faster operation, and includes a specially designed bounce adapter, a hard color filter, and an updated soft case. The two-way 2.4 GHz radio system provides added reliability and a range up to 98.4' among up to 5 groups with a total of 15 individual Speedlites. This system also does not need direct line-of-site like traditional optical-based transmission and will work through obstacles.
For added coverage and functionality, the flash's zoom head can reach from 20-200mm, with the option for wide 14mm coverage when the built-in diffusion panel is used. Also, the unit can tilt from -7 to +90° and rotate 180° either left or right for complete bounce capabilities. On the back of the 600EX II-RT is a backlit dot-matrix LCD panel that displays the status and allows users to easily access and change settings. Additionally, the flash is durable with a redesigned contact construction and improved dust and water resistant sealing.
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Canon Mount Adapter EF/EF-S to EOS R |
Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.
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Canon Drop-In Filter Mount Adapter EF to EOS R with Variable ND Filter |
Extending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with select A-type drop-in filters, and includes a variable neutral density filter for greater control over your exposure settings.
The adapter's design extends the ability to use filters with unique lenses that cannot accept filters on the front, and and it also retains full autofocus and image stabilization capabilities of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.
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Canon EU-V2 Expansion Unit 2 (C300 MK III, C500 MK II) |
The Canon EU-V2 Expansion Unit 2 mounts onto your C500 Mark II camera and provides a V-mount battery mount for power as well as ports that expand the capabilities of your camera. The expansion unit adds five ports: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. This unit expands your C500 Mark II for work as a full-sized production camera, adding two 3-pin XLR connectors for audio input. The V-mount battery plate incorporates a D-Tap output for powering accessories.
The Genlock/Sync Out port accepts a genlock signal that slaves your camera to the same time base as the other equipment receiving the genlock signal. The Remote B port allows you to control your camera using RS-422 protocol, while the Ethernet port allows you to connect your camera to a LAN for control and live streaming applications. The DC out port provides power for accessories, while the lens control port allows you to interface with select lenses. The ports have rubber covers to protect the connectors from dust intrusion when not in use.
- Fits C300 MK III and C500 Mk II
- V-Mount Battery Plate
- Adds Two XLR Audio Connectors
- Adds Genlock/Sync Out
- Adds Remote B (RS-422)
- Adds Ethernet Port
- 24 VDC out Port
- Lens Power and Control Port
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Canon EU-V2 Expansion Unit 2 (C300 MK III, C500 MK II) - WITH CAMERA RENTAL |
FREE WITH CAMERA RENTAL
The Canon EU-V2 Expansion Unit 2 mounts onto your C500 Mark II camera and provides a V-mount battery mount for power as well as ports that expand the capabilities of your camera. The expansion unit adds five ports: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. This unit expands your C500 Mark II for work as a full-sized production camera, adding two 3-pin XLR connectors for audio input. The V-mount battery plate incorporates a D-Tap output for powering accessories.
The Genlock/Sync Out port accepts a genlock signal that slaves your camera to the same time base as the other equipment receiving the genlock signal. The Remote B port allows you to control your camera using RS-422 protocol, while the Ethernet port allows you to connect your camera to a LAN for control and live streaming applications. The DC out port provides power for accessories, while the lens control port allows you to interface with select lenses. The ports have rubber covers to protect the connectors from dust intrusion when not in use.
- Fits C300 MK III and C500 Mk II
- V-Mount Battery Plate
- Adds Two XLR Audio Connectors
- Adds Genlock/Sync Out
- Adds Remote B (RS-422)
- Adds Ethernet Port
- 24 VDC out Port
- Lens Power and Control Port
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Canon EOS C300 Mark III - EF Mount |
Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
Features:
- Super 35mm Dual Gain Output (DGO) Sensor
- 4K 120p, 2K Crop 180p HDR
- Cinema RAW Light and XF-AVC H.264 Codec
- EF Lens Mount, DIG!C DV7 Image Processor
- Dual Pixel CMOS AF and Face Detection
- LM-V2 4.3" LCD Touchscreen Monitor
- 12G-SDI and 4-Channel Audio Recording
- 2 x CFexpress Slots, Canon Log2 and 3
- Electronic Image Stabilization
- Proxy Recording, Anamorphic Lens Support
Includes:
- ONE 512GB CFexpress Type B Card
- ONE Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger
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Canon EOS C300 Mark III - PL Mount |
Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
Features:
- PL Mount
- Super 35mm Dual Gain Output (DGO) Sensor
- 4K 120p, 2K Crop 180p HDR
- Cinema RAW Light and XF-AVC H.264 Codec
- EF Lens Mount, DIG!C DV7 Image Processor
- Dual Pixel CMOS AF and Face Detection
- LM-V2 4.3" LCD Touchscreen Monitor
- 12G-SDI and 4-Channel Audio Recording
- 2 x CFexpress Slots, Canon Log2 and 3
- Electronic Image Stabilization
- Proxy Recording, Anamorphic Lens Support
Includes:
- ONE 512GB CFexpress Type B Card
- ONE Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger
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Canon EOS C70 Cinema Camera (RF Mount) |
Incorporating key Cinema EOS video tools in a mirrorless- style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas. Video resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K.
Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input/output connector, and built-in dual mini-XLR audio inputs. The EOS C70 is also the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.
This lightweight cine camera also incorporates a 3.5" Direct Touch Control LCD panel for quick, easy setting changes, and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels.
The EOS C70 Cinema Camera fits into your C300 Mk III workflow as a B camera, as an upgrade for C200 or C100 users, or as an alternative for EOS R owners who are shooting an increasing amount of video. Its touchscreen LCD panel speeds your workflow by enabling you to turn functions on and off directly from the touchscreen; no need to spend time going into multiple menus via a combination of control buttons and jog wheels. Power the EOS C70 using a BPA-60 or BPA-30 battery or the included AC power adapter.
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Canon EOS C500 4K Cinema Camera - EF Lens Mount NTSC |
The Canon EOS C500 4K Cinema Camera represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier EOS C300 camera, the EOS C500 fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI.
The C500 also has a body type in common with the C300. Featuring large, accessible buttons with ridges dividing them, the EOS C500 has been designed expressly for the craft of digital cinema. Its signal output is similarly appropriate: At rates up to 60 frames per second, the 10-bit 4K RAW data stream output can be recorded to an approved external device (sold separately) at full resolution. Using a format called 4K half RAW, which halves the horizontal resolution, you can capture up to 120 fps to the external recorder by using both of the C500's 3G-SDI outputs.
The Canon EOS C500 integrates with time-tested feature film production workflows. As 4K RAW data is being recorded externally, you can record proxy files at 50 Mb/s to the camera's internal CF card so rough-cut or dailies editing can begin immediately after a scene is complete. For the widest latitude for color correction in post-production, the camera offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range.
The EOS C500 features an EF mount for compatibility not only with Canon's existing broad range of DSLR lenses, but also with the burgeoning line of EF Cinema Zoom and Prime lenses. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor of this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.
Product Highlights
- 4K RAW (4096 x 2160) Output
- EF Lens Mount for Broad Compatibility
- 8.8 Mp Super 35mm-Size CMOS Sensor
- Also Puts Out 2K, Quad HD & Full HD
- 2x 3G-SDI Outputs
- 50 Mb/s Proxy HD Recording to CF Card
- 10-Bit 4K RAW at Up to 60p
- 10-Bit 4K Half RAW at Up to 120p
- 12-Bit 2K 4:4:4 Signal at Up to 60p
- Canon Log Gamma
Includes:
- ONE 64GB SD Card
- ONE SD Card Reader
- THREE BP-U60 Batteries
- ONE Battery Charger
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Canon EOS C300 Cinema Camcorder Body - EF or PL Mount, NTSC/PAL |
WITH ENHANCED AUTOFOCUSING CAPABILITY
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 422 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.
Includes:
- TWO 64GB CF Cards
- ONE CF Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger
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Download:
PDF, Instruction Manual
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Canon EOS C300 Mark II Cinema Camcorder - EF or PL Mount |
The EF-mount C300 Mark II Cinema EOS Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews.
The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.
In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.
Dual Pixel CMOS AF Technology
It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.
Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Product Highlights
- Super 35mm CMOS Sensor
- 4K, 1920x1080 60/50i, 23.98/25p True 24p
- Canon XF AVC H.264 Codec
- EF Lens Mount
- with Dual Pixel CMOS AF
- Rotating 4" LCD Monitor
- 2x 3G-SDI Output, 2x SLR Inputs
- 2x CFast Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log 2 Gamma
COMPATIBLE WITH CFAST CARDS
Includes:
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger
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Download:
PDF, Instruction Manual
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Canon Cinema EOS C300 Mark II Camcorder Body (PL Lens Mount) |
The PL-mount Cinema EOS C300 Mark II Camcorder Body features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.
The PL lens mount features compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of EF Cinema lenses for PL mount. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.
In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.
Product Highlights
Super 35mm CMOS Sensor
4K,1920x1080 60/50i, 23.98/25p True 24p
Canon XF AVC H.264 Codec
PL Lens Mount
Rotating 4" LCD Monitor
2 x 3G-SDI Output, 2x XLR Inputs
2 x CFast Card Slots
Timecode I/O, Genlock In & Sync Out
Canon Log 3 Gamma
Includes:
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger
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Canon EOS 5D Mark III DSLR Camera |
The Canon EOS 5D Mark III DSLR Camera is a full-frame 22.3MP DSLR featuring exceptional still image and movie recording capabilities. Integrating Canon's new DIGIC 5+ Image Processor and 14-bit A/D conversion, this camera is able to produce superbly detailed imagery with immense low-light sensitivity that is further aided by an extended ISO range up to 102400. Image quality is further enhanced by the new 61-point high density reticular autofocus, including up to 41 cross-type AF points and 5 dual diagonal AF points for ensured sharpness. iFCL metering works in conjunction with the AF system and uses color information from scenes to produce accurate exposure readings using a 63 zone dual-layer metering sensor. HDR and Multiple Exposure modes provide greater creative opportunities and help you to reduce the amount of post-production time needed to produce high quality imagery. The 5D Mark III is also capable of recording full HD video with manual exposure control and in multiple frame rates, including 1080/30p and 720/60p. Still images can also be recorded up to 6fps.
Image review is possible using the 1,040,000-dot 3.2" Clear View II LCD monitor, which features a high-transparency, reflection resistant multi-coating for adequate viewing under bright conditions. The Intelligent Viewfinder also integrates a superimposed LCD providing you with exposure information and features a 100% field of view.
A highly durable magnesium-alloy body surrounds the components and offers increased dust and weather resistance. An updated EOS Integrated Cleaning system also helps to reduce and remove dust within the camera body. Several of the physical controls on the camera body are fully customizable for a more efficient workflow and more convenient handling scheme. Dual CF and SD memory card support also increases the compatibility of the camera. Support is also provided for the optional Canon Wireless File Transmitter and GPS receiver for remote logging, tracking, and sending of your imagery.
Includes:
- ONE 32GB CF Memory Card
- ONE CF Card Reader
- THREE LPE6 Batteries
- ONE Battery Charger
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Download:
PDF, Operation Manual, 29 MB
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Canon XL-H1 3CCD HDV Camcorder |
The XL H1 is capable of recording and playing back High Definition (HD) images using DV cassette tapes. The camcorder records in HDV1080i, and uses a Mode Select and a Frame Rate dial to select HD signals or SD signals and the frame rate. Under the HDV Spec, this camera records to tape 60 fields in 60i mode, 24 frames in 24F Mode and 30 frames in 30F mode.
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Canon XL-H1 PAL |
*** Special Conversion to PAL ***
The XL H1 is capable of recording and playing back High Definition (HD) images using DV cassette tapes. The camcorder records in HDV1080i, and uses a Mode Select and a Frame Rate dial to select HD signals or SD signals and the frame rate. Under the HDV Spec, this camera records to tape 60 fields in 60i mode, 24 frames in 24F Mode and 30 frames in 30F mode.
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Canon XL-1s NTSC |
3-CCD, variable frame rate: 60i/30p/24p 16:9and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus are also available.)
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Download:
PDF, Camera Instruction Manual
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Canon XL-1s PAL |
3-CCD, variable frame rate: 60i/30p/24p 16:9 and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus also available.)
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Canon XL-2 NTSC |
3-CCD, variable frame rate: 60i/30p/24p 16:9and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus also available.)
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Canon XL-2 PAL |
3-CCD, variable frame rate: 60i/30p/24p 16:9and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus also available.)
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Canon 70x Digi Super PJ70x9.5B Lens |
- 2/3" B-4 Mount
- Focal Length: 9.5-670mm
- Semi servo
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Canon 55x J55x9 Super Studio Lens |
Lens w/2x ext 9-500mm, semi servo Sony or Ikegami mounts
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Canon 50x J50x9 Lens |
Lens w/2x ext 9-485mm
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Canon FEA-llA Fish Eye Lens Adapter |
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Canon Onboard video light |
Includes:
2 batteries
1 charger
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Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (PL Mount) |
Add a professional broadcast ENG zoom lens to your EOS C300 Mark III or C500 Mark II cinema camera with the CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens from Canon. This durable lens is designed for use with PL-mount cameras featuring large-format, Super 35-sized sensors with 4K optical performance. Measuring approximately 11" long and weighing only 6.7 lb, the compact, lightweight lens is suitable for a variety of productions such as narrative to EFP/ENG or run-and-gun documentary.
The lens covers an extensive 25 to 250mm focal range while featuring a T2.95 to T3.95 aperture from wide to telephoto. Using a 1.5x extender with 10x optical zoom, the telephoto range extends to an impressive 375mm. Like the rest of its cine lens family, the zoom lens creates a soft, pleasing bokeh using an 11-blade iris and a clickless iris ring. The focus ring rotates 180° with smooth operation. An LCD screen on the lens allows you to adjust user settings and functions such as zoom speed and locking, easily configured using the integrated drive switch. This EF mount model supports Canon electronic communication, which passes metadata to your camera.
Canon has equipped the zoom lens with a servo drive unit compatible with industry-standard lens controllers, such as the broadcast ZSD-300D or FPD-400D, for full zoom, focus, and iris control. The servo drive is removable if you are shooting in a cinema style, and it can also be integrated into studio systems with its 16-bit metadata output.
- PL Mount
- Covers Super 35 sensors with 4K applications
- 25 to 250mm focal range, extends to 375mm with 10x zoom at 1.5x magnification
- T2.95 to T3.95 aperture
- Parfocal design to maintain focus during zoom
- Minimized focus breathing
- LCD screen for features and settings
- Focus ring rotates 180°
- 16-bit high-resolution encoder for virtual studio systems
- 11-blade iris
- Compact and lightweight design
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Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (PL Mount) |
The Cine-Servo 17-120mm T2.95 with PL mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.
- PL Mount
- ENG-Style Zoom, Focus, and Iris Servos
- For Broadcast or Cinema Shooting Styles
- 180 Focus Ring with Knurled Grip
- Double Focus Markings in Feet and Meters
- Zoom Speed: 0.5 to 300 Seconds
- Angle of View Shift Suppression
- Detachable Drive Unit
- Electronic Lens Mount &12-Pin Connector
- 11-Blade Aperture Design
- Covers up to Super 35mm Sized Sensors
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Canon C300 Shooter Package - Canon Lenses |
SUBJECT TO AVAILABILITY
This package has everything you need to shoot high definition footage using the Canon C300 MK I camera. It includes Canon lenses, batteries, matte box, filters, tripod, monitor, and more. SAVE OVER $500 per day!
Package Includes:
- Canon C300 MK I Cinema Camcorder with EF lens mount
- Canon zoom lenses: 16-35mm f/2.8, 24-70mm f/2.8, 70-200mm f/2.8
- (4) Large Canon Batteries (BP-975)
- (2) Canon battery chargers
- (2) 32GB CF cards
- (1) CF card reader
- Baseplate
- Chrosziel 4x5.65 Matte box
- 4x5.65 Polarizer filter
- 4x5.65 ND Grads/Solids (.3, .6, .9)
- Arri FF4 Follow focus
- Marshall 7" LCD Monitor
- Sachtler 20 Tripod and head
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Canon C300 Music Video Package 1 |
SUBJECT TO AVAILABILITY
This package is tailored for shooting a
music video in high definition using the Canon C300 camera. It includes everything you need to shoot- lenses, filters, tripod, monitor, and 3 lights. SAVE OVER $500 per day!
Package Includes:
- Canon C300 Cinema Camcorder with EF lens mount
- Zeiss EF Mount lenses: 18mm, 25mm, 35mm, 50mm, 85mm
- (4) Large Canon Batteries (BP-975)
- (2) Canon battery chargers
- (2) 32GB CF cards
- (1) CF card reader
- Baseplate
- Chrosziel 4x5.65 Matte box
- 4x5.65 Polarizer filter
- 45.65 ND Grads/Solids (.3, .6, .9)
- Arri FF4 Follow focus
- Marshall 7" LCD Monitor
- Sachtler 20 Tripod and head
- (2) LitePanels 1x1 Flood
- (1) Arri 650 Fresnel
- (3) light stands
- (3) 50 ft stingers
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Canon 6x XL 3.4-20.4mm L HD Wide Angle Zoom Lens |
Engineered for high definition ENG, commercial, documentary and feature videographers who demand uncompromising optical quality.
- 24.5 to 147mm - 35mm photographic equivalent.
- f/1.6 to f/2.6 manual iris ring
- 1/6 and 1/32 density filters
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Canon HJ 9 x 5.5 HD |
wide angle lens w/2x and 0.8 ratio converter
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Canon HJ 11 x 4.7B IRSE HD |
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Canon HJ 17 x 7.7B IRSD HD |
Zoom lens
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Canon 3x Wide Angle Zoom Lens SD |
for XL-H1, XL-1, XL-1s, etc.
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Canon Manual Focus Control |
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Canon Zoom Control |
for broadcast lenses
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Canon Remote Focus and Zoom Kit |
The Canon MS-22M is a lens controller kit for ENG/EFP lenses, including the YJ18, YJ17, YJ12, YH18, YH17 and YH12. The kit consists of flex cable, flex focus module, focus handle, and zoom grip. The MS-22M covers the complete range of precision zoom/focus functions and is useful in both field recording and broadcast environments.
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Canon EOS R5 MK II Mirrorless Camera |
Boasting enough horsepower to allow Canon's highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the EOS R5 Mark II Mirrorless Camera is the multimedia professional's solution for versatility, image quality, and intelligence. An all-new 45MP sensor's stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.
The R5 Mark II's new sensor maintains the high resolution of its predecessor while introducing a stacked, back-illuminated design that makes room for Canon's latest image processor, the DIGIC Accelerator. Operating alongside the stalwart DIGIC X, the camera combines the raw image data with high-volume, deep-learning datasets to produce gains in subject tracking and recognition, pre-continuous capture, blackout-free shooting, video resolution, maximum recording time, and more - making the R5 Mark II a powerful and comprehensive professional creator's toolkit.
The improved processing speeds benefit the EOS R series' already-robust autofocus, incorporating deep learning datasets in its Dual Pixel Intelligence AF to produce advancements in subject recognition and tracking while also improving on the Eye Control Focus feature introduced in the EOS R3.
Key Features
- 45MP Full-Frame Stacked BSI CMOS Sensor
- DIGIC Accelerator Processing
- Dual Pixel Intelligent AF, Eye Control
- 8K 60 Raw/4K 60 SRAW/4K 120 10-Bit Video
- Up to 30 fps, Pre-Continuous Shoot Mode
- 5.76m-Dot EVF with OVF Sim. View Assist
- 3.2" Vari-Angle Touchscreen LCD
- In-Camera Upscaling to 179MP
- CFexpress & SD UHS-II Memory Card Slots
- Wi-Fi 6E / Wi-Fi 6 Support
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Canon EOS R5 Mirrorless Camera |
For the professional image-maker who needs resolution, speed, and video capabilities, there is the Canon EOS R5. Setting a new standard for versatility, this full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
Beyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.
Complementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 0.5" 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the 3.2" rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots-one CFexpress Type B, one SD UHS-II-along with Bluetooth and Wi-Fi wireless connectivity.
45MP Full-Frame Sensor and DIGIC X Processor
Built around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.
8K30 Raw and 4K120 Video Recording
Benefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.
HDMI 8K Raw Output to Atomos Ninja V+
Firmware update 1.4.0 adds the ability to output 8K30, 10-bit video for ProRes raw recording to the Atomos Ninja V+ recorder over an optional HDMI cable. (Please note, the recorder may become hot.)
Dual Pixel CMOS AF II
An updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.
Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.
Sensor-Shift Image Stabilizer
A first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.
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Canon EOS 5D Mark IV DSLR Camera |
Includes:
THREE LP-E6N Batteries
ONE Battery Charger
ONE 64GB CF Memory Card
ONE SD Card Reader
The Canon 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon's commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon's all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon's revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon's DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi®**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. When quality matters, the EOS 5D Mark IV helps deliver results to inspire even the most discerning imagemaker.
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Canon EOS 5D Mark II DSLR Camera |
IMPORTANT NOTE: If you are shooting video you must remember ND filters so you can facilitate aperture/ISO/shutter settings you desire!
Canon's update to the wildly popular full frame EOS 5D is here, and it's better than ever. The EOS 5D Mark II has a stunning 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, a vast ISO Range of 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600), plus EOS technologies like Auto Lighting Optimizer and Peripheral Illumination Correction. It supports Live View shooting, Live View HD videos, and more. It can shoot up to 3.9 fps, has 9 AF points plus 6 AF assist points, a new 98% coverage viewfinder, a 3.0-inch Clear View LCD (920,000 dots/VGA) and a rugged build.
See the The Making of Reverie, a short film shot in HD with this camera.
Includes:
- ONE 32GB CF Memory Card
- ONE CF Card Reader
- THREE LPE6 Batteries
- ONE Battery Charger
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Canon EOS 7D DSLR Camera |
With a host of brand new features designed to enhance every facet of the photographic process, from still images to video, the new EOS 7D represents a whole new class of camera.
Made to be the tool of choice for serious photographers and semi-professionals, the EOS 7D features an all-new 18.0 Megapixel APS-C size CMOS sensor and Dual DIGIC 4 Image Processors, capturing tremendous images at up to ISO 12800 and speeds of up to 8 fps. The EOS 7D has a new all cross-type 19-point AF system with improved AI Servo II AF subject tracking and user-selectable AF area selection modes for sharp focus no matter the situation. The EOS 7D's Intelligent Viewfinder, an entirely newly-designed technology, provides 100% coverage and displays user-selected AF modes as well as a spot metering circle and on demand grid lines. New iFCL Metering with 63-zone dual-layer metering system uses both focus and color information to provide accurate exposure even in difficult lighting. The EOS 7D also captures Full HD video at 30p (29.97 fps), 24p (23.976 fps) and 25p with an array of manual controls, including manual exposure during movie shooting and ISO speed selection.
Includes:
- ONE 32GB CF Memory Card
- ONE CF Card Reader
- THREE LPE6 Batteries
- ONE Battery Charger
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Canon EOS 7D PAL DSLR Camera |
With a host of brand new features designed to enhance every facet of the photographic process, from still images to video, the new EOS 7D PAL represents a whole new class of camera.
Made to be the tool of choice for serious photographers and semi-professionals, the EOS 7D PAL features an all-new 18.0 Megapixel APS-C size CMOS sensor and Dual DIGIC 4 Image Processors, capturing tremendous images at up to ISO 12800 and speeds of up to 8 fps. The EOS 7D PAL has a new all cross-type 19-point AF system with improved AI Servo II AF subject tracking and user-selectable AF area selection modes for sharp focus no matter the situation. The EOS 7D PAL's Intelligent Viewfinder, an entirely newly-designed technology, provides 100% coverage and displays user-selected AF modes as well as a spot metering circle and on demand grid lines. New iFCL Metering with 63-zone dual-layer metering system uses both focus and color information to provide accurate exposure even in difficult lighting. The EOS 7D PAL also captures Full HD video at 30p (29.97 fps), 24p (23.976 fps) and 25p with an array of manual controls, including manual exposure during movie shooting and ISO speed selection.
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Canon EOS 70D DSLR Camera |
The Canon EOS 70D DSLR Camera features a 20.2 megapixel APS-C CMOS sensor and DIGIC 5+ image processor to ensure high-resolution images and excellent low-light sensitivity. Both the sensor and processor work together to produce well-detailed, clear imagery that exhibits natural tonality and color gradations with minimal noise when working in difficult lighting conditions. The processor also provides notable speed throughout the camera system, including the ability to record up to 7 fps in full-resolution, quickened AF speeds, and full HD 1080p video recording in multiple frame rates with manual exposure and audio level control.
Serving to benefit working with live view in both still and movie shooting modes, Dual Pixel CMOS AF is a powerful technology that revolves around the incorporation of two photodiodes within each pixel to provide an expansive phase-detection focusing system. This system affords focusing advantages that are similar to how a camcorder works and as such can focus on subjects in an incredibly fast and precise manner. The benefits of this system are three-fold: the ability to focus quickly and smoothly; the ability to truly utilize the vari-angle touchscreen LCD monitor to its full potential; and the ability to utilize a wide range of over 100 EF and EF-S lenses. Also benefiting from Dual Pixel CMOS AF is the Movie Servo AF mode, which enables continuous auto focusing when recording movies. This focusing mode is especially useful for maintaining critical focus on moving subjects and for realizing the near-silent performance of compatible STM lenses.
The 3.0" 1,040k-dot vari-angle Clear View II touchscreen LCD monitor profits greatly from the advent of the Dual Pixel CMOS AF system and its ability to utilize Touch AF focusing for finely controlled selection of the point of focus. The monitor's vari-angle design also enables more efficient shooting and viewing from both high and low angles and an anti-reflective, smudge-resistant coating allows for clear well-detailed viewing.
In addition to the LCD monitor, the 70D also features an optical pentaprism finder that can be used for eye-level shooting of still images. This Intelligent Viewfinder incorporates a superimposed LCD to provide an intuitive means for monitoring exposure and camera settings during shooting. While working with the viewfinder, an expansive 19-point all cross-type AF system is visualized for acquiring focus; integral to this array is a high-precision dual-cross center AF point that is compatible with f/2.8 and faster lenses.
Providing a wealth of additional functionality to the camera is integrated Wi-Fi connectivity, which allows instant and direct sharing of image files to an iOS or Android mobile device for sharing online. This functionality also allows for wireless remote control over camera settings, including exposure controls, focusing, and shutter release, from a mobile device when using the Canon EOS Remote app.
Includes:
- ONE 64GB SD Memory Card
- ONE SD Card Reader
- THREE LPE6 Batteries
- ONE Battery Charger
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1.6x Teleconverter, HD Canon |
For Canon HD. Made by Schneider Optics
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Canon RF 24-70mm f/2.8 L IS USM Lens |
The Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
Balancing the distinguished optical assets is the Nano USM focus system, which delivers fast, nearly silent autofocus performance with full-time manual focus override. An Image Stabilizer also compensates for up to five stops of camera shake to help produce sharper handheld shots in difficult lighting conditions. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Additionally, this 24-70mm is weather-sealed and has a fluorine coating to protect the front and rear elements.
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Canon EF 14mm f/2.8L USM 35mm lens |
The Canon EF 14mm f/2.8L USM Autofocus Lens is a bright lens that provides an ultra wide-angle view, and has the shortest focal length in the line-up of L series lenses. Its diagonal angle of view is an impressive 114 - anything larger would be a fisheye lens.
This lens features completely redesigned optics, including two high-precision Aspherical elements and two UD-glass elements. This results in better contrast and sharpness at the outer edges, and a reduction in chromatic aberrations that can sometimes be seen with high-resolution digital SLRs.
The 14mm f/2.8L II USM lens uses a rear focusing system, high-speed CPU, and a powerful ring-type USM with revised electronics for faster, more responsive AF. This wide aperture lens is the ideal choice for architectural, corporate, or other pro-level photography.
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Canon EF 15mm f/2.8 Fisheye 35mm lens |
Fisheye lens with a 180 angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
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Canon TS-E 17mm f/4L Tilt-Shift Lens |
The Canon TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens offers an angle of view of 93°. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90° in the direction of movement.
The lens also has an improved tilt & shift knob with an enhanced range of movement of up to +/- 6.5° and revolving lenses for better operability, it uses a circular aperture for beautiful out-of-focus areas and has an SWC lens coating to control ghosting and flare to a far greater degree than with earlier coating technologies.
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Canon EF 20mm f/2.8 USM 35mm lens |
Ultra-wide-angle lens for serious applications. Easy to hold and carry at 0.89 lb. Floating rear focusing system gives sharp images at all subject distances.
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Canon EF 24mm f/1.4 USM 35mm lens |
The Canon EF 24mm f/1.4L USM lens is a venerable wide-angle prime lens that provides sharpness and impressive performance at all settings. Its large maximum aperture of f/1.4 allows for superb low-light photographs, and its circular aperture and narrow depth of field provide pleasing background blur. It is the ideal tool for photojournalists, landscape and event photographers, and anyone who enjoys taking images from a wider perspective.
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Canon TS-E 24mm f/3.5L tilt/shift manual focus lens |
For discerning architectural photographers, there is great need for wide angle lenses. Tilt and shift movements, features normally found on large format cameras, can be bestowed upon a smaller format of camera with a lens such as this wide Canon 24mm f/3.5L TS-E Lens.
Being a Canon "L" lens, by definition it is a premium Canon optic. The 24mm TS-E has several distinct elements that make it stand apart from more common glass. Firstly, designers integrated a set of physical controls that allows users to rotate the direction of the tilt and shift independently of one another. Secondly, there is +/-8.5° of tilt and +/-12mm of shift that gives photographers ample ability to correct for perspective when taking images of interior or exterior spaces, and landscapes.
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Canon TS-E 24mm f/3.5 II 35mm tilt/shift lens Version 2 |
This is the brand new version of Canon's 24mm tilt/shift lens. This is a manual focus lens and everyone is saying this is one of Canon's sharpest lenses ever.
For discerning architectural photographers, there is great need for wide angle lenses. Tilt and shift movements, features normally found on large format cameras, can be bestowed upon a smaller format of camera with a lens such as this wide Canon 24mm f/3.5L II TS-E Lens.
Being a Canon "L" lens, by definition it is a premium Canon optic. There is +/-8.5° of tilt and +/-12mm of shift that gives photographers ample ability to correct for perspective when taking images of interior or exterior spaces, and landscapes.
- EF mount lens is compatible with all Canon EOS cameras.
- Wide image circle of 67.2mm is 50% greater than 35mm/full frame film area.
- High precision glass (16 elements/11 groups) for low distortion and high resolution to the edge of the image.
- Tilt and shift mechanism rotates +/-90° allowing shift in any direction.
- Tilt mechanism rotates +/-90° allowing tilt in any direction relative to the shift.
- One Aspherical and three UD lens elements minimize chromatic aberration
- Sub-wavelength structure and super-spectra coatings minimize ghosting and flare.
- Circular aperture for creative, blurred highlights.
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Canon LP-E6 Battery for 5D Mk II, 5D Mk III, 7D |
ALL CANON Camera rentals INCLUDE 3 free batteries.
Choose this item if you need additional batteries.
Canon LP-E6 Lithium-Ion Battery Pack (7.2V, 1865mAh) fits Canon EOS 7D Mark II, 7D, 5D Mark II, 5D Mark III, 5DS, 5DS R, 60D, 60Da, 70D, and 6D Cameras
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Canon LC-E6 Charger for LP-E6 Battery Pack |
The Canon LC-E6 Charger for LP-E6 Battery Pack is designed for use with the for LP-E6 battery pack, which powers the Canon EOS 5D Mark II, 5D Mark III, 7D and 60D Digital SLR cameras. This unit can be used to charge a battery for these cameras from a standard electrical outlet. The charger operates on 100-240VAC power for worldwide use. Its 2-prong US plug goes directly into a wall outlet, so no power cord is required.
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Canon BP-945 / BP-941 |
Lithium-Ion Battery Pack (7.2V, 6600mAh)
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Canon HJ 21 x 7.5B IRSE Compact HD Lens |
The Canon HJ21x7.5B-IRSE Compact High Definition Lens is a low-weight, highly mobile 2/3" video lens designed to tackle a wide variety of shooting scenarios. The unit boasts enhanced digital functionality over previous models with improved operability. The reduced weight helps lessen fatigue, making it ideal for news gathering. The lens has a focal length of 7.5-158mm (21x zoom) with a minimum zoom of 2.8' (0.85 m) and comes with a 2x built-in extender for instant magnification.
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Canon HJ 21 x 7.8B IRSD HD |
Zoom lens
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Canon EF 35mm f/1.4L USM Autofocus 35mm lens |
The superior-quality Canon EF 35mm f/1.4L USM Wide-Angle Autofocus Lens features a brilliant maximum aperture of f/1.4, the largest in its class, along with the superior natural image quality of Canon L-series lenses. An advanced floating mechanism and a ground and polished aspherical lens element achieve extremely sharp, distortion free pictures from infinity to its closest shooting distance of 1.0'/0.3 m. With ring USM-powered rear focus, autofocus is stealthy and swift. A wide focusing ring provides comfortable manual focus, and the filter ring remains stationary for ease of use with polarizers and other special effects filters.
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Canon EF 35mm f/2.0 Autofocus 35mm lens |
This fast wide angle lens with a minimum focusing distance of only 0.8' allows you to approach the subject closer and still obtain a more natural wide angle effect. Excellent background blur for portraits is obtainable.
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Canon TS-E 45mm f/2.8 tilt/shift manual focus lens |
The Canon TS-E 45mm f/2.8 Manual Focus Lens is a normal lens featuring tilt and shift movements. The floating system and rear focusing give sharp and stable delineation from throughout the focus range of 1.3' to infinity. Ideal for obtaining a natural-looking perspective in a distortion-free architectural image.
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Canon EF 50mm f/1.2L USM 35mm lens |
The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras.
- 46 degrees view angle
- 72 mm filter
- 17.7" min focus
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Canon EF 50mm f/1.4 USM 35mm lens |
Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Comes with Hood.
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Canon EF 85mm f/1.2L USM Autofocus 35mm lens |
The Canon EF 85mm f/1.2L USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over depth of field for compelling portrait photography.
Retaining the impressive optical performance and large aperture of its predecessor, this medium telephoto lens has been improved with a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings.
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Canon EF 85mm f/1.8 USM Autofocus 35mm lens |
The Canon 85mm f/1.8 EF USM Autofocus Lens is a highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur. Since the front lens group does not rotate during focusing, special filter effects are not affected.
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Canon TS-E 90mm f/2.8 tilt/shift telephoto lens |
The Canon TS-E 90mm f/2.8 Tilt-Shift Lens is a very sharp lens with excellent contrast/saturation. The TS-E 90 is very sharp wide open - among the sharpest of Canon's lenses. Corner sharpness is very good even wide open. Full shift decreases sharpness (and creates autoexposure issues). The Canon TS-E 90mm f/2.8 Tilt-Shift Lens is slightly-moderately sharper than the Canon TS-E 45mm f/2.8 Tilt Shift-Lens, especially wide open in the corners on a full frame body.
The Canon TS-E 90mm f/2.8 Tilt-Shift Lens has nearly no light fall-off even wide open (f/2.8) unless shifted to near limits on a full frame body. CA is very well controlled on my first copy of this lens - better than the other TS-E lenses, but my second copy does exhibit a small amount wide open. Flare-resistance is high - flare only shows up with the sun actually in the picture (or similar extreme circumstances). Distortion is very well controlled.
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Canon EF 100mm f/2.8 35mm macro lens |
This is the older style macro lens. It does not have image stabilization.
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Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens |
The EF 100mm f/2.8L Macro IS USM lens could very well be the essential multipurpose lens for every camera bag due to its ability to capture sharp close-up images of small objects as well as beautiful portrait-length telephoto shots. The incorporation of Canon's new Hybrid IS in this L-series macro lens allows it to compensate more effectively for camera shake during close-up shooting and marks a significant improvement for professionals and advanced amateurs utilizing macro photography for portrait, nature or wedding shoots.
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Canon EF 135mm f/2.0L USM Autofocus 35mm lens |
The Canon EF 135mm f/2L USM is designed to meet the needs of a wide range of advanced amateurs and professionals. A ten element optical formula with two UD-glass elements serves to correct residual aberrations, resulting in superb sharpness and high image quality. It is also able to obtain superior background blur with the f/2 wide aperture. The EF 135mm f/2L USM is fully compatible for AF with Extenders 1.4x and 2x. A stellar portrait and available light lens.
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Canon EF 200mm f/2.8L II USM Autofocus 35mm lens |
Zoom in on a favorite subject from a distance with the Canon EF 200mm telephoto lens. Offering a long focal length that lets you effectively compress the distance between the subject and camera, the lens lets you easily capture the details and feeling of a far-off scene. The lens is distinguished by two ultra-low-dispersion (UD) glass elements and a rear focusing system to correct aberrations, producing extremely sharp images. The lens also offers a natural-looking background blur and comes with a dedicated, detachable hood.
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Canon EF 300mm f/2.8L IS II |
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Canon EF 400mm f/2.8L IS USM Autofocus 35mm lens |
The standard lens for many professional sports and nature photographers. The latest image-stabilized version of the 400mm f/2.8L is the best yet, with better handling, lighter weight and the world's fastest AF speed among 400mm f/2.8 lenses. Durability and weather resistance are world class. A complete redesign of optics has resulted in Canon's best image quality ever in a 400mm lens.
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Canon EF 16-35mm f/2.8L USM Autofocus 35mm zoom lens |
The Canon EF 16-35mm f/2.8L USM Autofocus Lens is a high performance, water-resistant, and ultra wide-angle L-series lens. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Improved AF algorithms will help the lens to focus faster and quieter.
All of the "L" lenses deliver optical performance equal to similar fixed focal lengths lenses, and the USM lenses do this with silent, high-speed focusing. Distortions and aberrations are remarkably small for a lens of such amazing capabilities.
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Canon EF 17-40mm f/4L USM Autofocus 35mm zoom lens |
While an excellent ultra-wide zoom lens for film SLR cameras, the Canon EF 17-40mm f/4L USM Lens is especially well suited for use with EOS digital SLR cameras, which usually have an imaging sensor size smaller than the 35mm format. When used with such digital SLR cameras, the 17-40mm focal length range gives an angle of view approximately equivalent to that of a 27-64mm lens upon 35mm cameras, making it an ideal medium-aperture standard zoom lens.
The EF 17-40mm f/4L USM, like all of the Canon "L" lenses, delivers optical performance equal to similar fixed focal length lenses, with silent, high-speed focusing. Distortions and aberrations are remarkably small for a lens of such amazing capability. It combines 1 high-precision molded glass aspherical lens and 2 replica aspherical lenses to achieve the extended zoom range, while also correcting for common aberrations that arise during zooming. A Super UD (ultra-low dispersion) glass element minimizes the chromatic aberration of magnification which tends to occur with wide-angle lenses, to help eliminate color bleed along the edges of the subject and achieve high image contrast and resolution.
The 17-40's minimum focusing distance is just 11" (28cm) throughout its entire range of focal lengths, which makes it very useful for close-up work. All of the focusing and zooming action is done internally, with no changes of the size of the lens. It only uses lead-free optics to help the environment, and features a circular diaphragm for improved background blur. The housing is water and dust resistant to help ensure reliable performance for both professionals and enthusiasts. Like many "L" lenses, it uses 77mm filters, but also has a rear gelatin filter slot behind the lens mount.
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Canon EF 24-70mm f/2.8L USM 35mm zoom lens |
This lens replaces the previous high quality L-series 28-70mm f/2.8 lens, with a lens of even greater caliber. The range has been extended to cover an ultra-wide angle of 24mm, which makes it ideal for digital as well as film shooters, and the optics are even better than before with two Aspherical elements and a totally new UD glass element. It's now sealed and gasketed against dust and moisture, and a new processing unit makes the AF faster than ever.
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Canon EF 24-105mm f/4L IS USM 35mm zoom lens |
The Canon EF 24-105mm f/4L IS USM lens is an easy-to-use standard zoom lens that can cover a large zoom area ranging from 24mm wide-angle to 105mm portrait-length telephoto.
The EF 24-105mm f/4L IS USM incorporates Canon's highest standards of precision optics. The L-series is Canon's flagship professional lens range, combining outstanding image performance and ultimate operability with dust and moisture resistant construction.
Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. Moreover, with dust- and moisture-resistant construction, this is a durable yet sophisticated lens that meets the demands of advanced amateur photographers and professional photographers alike.
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Canon HJ 22e x 7.6B IRSE HD |
Wide Angle lens
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Canon EF 70-200mm f/2.8L USM 35mm zoom lens |
One of the finest telephoto zoom lenses in the EF line, comparable to a single focal length lens. It has four UD-glass elements to correct chromatic aberrations. The newly-designed multiple zoom groups for inner focusing bring high image quality throughout the entire zooming range.
This is the Non IS (Image Stabilizer) version.
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Canon EF 70-200mm f/2.8L IS USM 35mm zoom lens |
The pinnacle in Canon's constant-aperture telephoto zoom lenses, the EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens is an incredible optic with robust design and tack sharp results. Second-generation Image Stabilization responds in as little as 0.5 seconds, while providing up to three stops stabilization that as hand-holdable as a normal lens. IS now automatically deactivates when on a tripod by sensing non-movement of the camera and lens, also conserving battery power. An entirely new optical formula produces images that are superior to even its highly regarded predecessor, the EF 70-200mm f/2.8 L, despite having more reflective surfaces within the lens.
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Canon EF 80-200mm f/2.8L 35mm zoom lens |
Older, Non IS, Non USM lens.
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Canon 75-300mm f/4-5.6 USM 35mm zoom lens |
This compact and lightweight EF 75-300mm telephoto zoom lens is ideal for shooting sports, portraits, and wildlife. The lens is distinguished by a newly developed micro ultrasonic motor (USM) that makes autofocusing quicker and quieter, along with an improved zoom mechanism that includes a silver ring on the front for a luxurious touch. The micro USM makes this version of the lens particularly suitable for applications that require a fast autofocus, such as sporting events or wildlife shoots. Best of all, the USM version shares many of the same features that makes the non-USM lens so popular, such as a compact size, a close focusing range, and accessory compatibility.
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Canon EF 100-400mm f/4.5-5.6L IS 35mm zoom lens |
The first EF lens with a zoom range from 100mm to 400mm, the EF 100-400mm f/4.5- 5.6L IS USM lens offers high resolution, superb contrast, neutral color balance, and Canon's original built-in Image Stabilizer function. High zoom magnification is achieved by means of a 6-group configuration with 5 movable groups. Fluorite and Super UD glass completely eliminate secondary spectrum for superb color rendition. Autofocusing is fast and silent with Canon's ring USM, and AF speed is further enhanced through an advanced, lightweight rear focusing design that incorporates a floating element for consistent image quality at all focusing distances from 5.9' to infinity. This lens is also equipped with a dual-mode Image Stabilizer suitable for panning as well as stationary subjects. With full-time manual focus, one-touch zooming with a wide grip, and a special ring that permits adjustment of zooming friction, this is a lens that's extremely easy to use, and ideal for a wide variety of applications including nature, wildlife, sports, and documentary photography.
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Canon FD 150-600mm f/5.6 L Zoom Lens |
****COMES WITH AN $100 GIFT CARD (FOR USE WITH THIS ITEM ONLY)
Despite being a super telephoto zoom lens, it boasts excellent operability such as zooming and focusing performed using a single knob, a handle as the role of focusing distant objects while also being useful for handling, and a one-touch revolving mechanism.
With regard to optical performance, an original positioning of the optical system and the effective use of UD glass lens element with low dispersion and a low refractive index reduce the size of the optical system while compensating for various aberrations, allowing sharp images with high-contrast to be obtained at all focal lengths.
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Canon 1.4x EF Extender II (Teleconverter) |
The Canon EF 1.4x II Extender is a high-quality teleconverter that preserves the image quality of the lens it's mounted to and multiplies its focal length by 1.4x. When combined with pro level EOS cameras & EF supertelephoto lenses with image stabilization, near imperviousness to weather extremes is achieved thanks to rubber gasket seals. Improved anti-reflective internal coatings also increase transmissivity and performance in backlit conditions.
The extender will cut back the amount of light by one f/stop. For example using a 1.4x teleconverter with a 300mm f/2.8 lens will effectively increase the focal length to approximately 420mm and the f/2.8 aperture will now be f/4. Teleconverters are best used with longer telephoto lenses.
PLEASE NOTE:
attempting to mount a Canon extender on incompatible lenses may damage the rear lens element. Canon extenders simply do not fit behind the rear lens element on Canon's non-extender-compatible lenses.
As a rule, but subject to change, the compatible lenses include fixed focal length L lenses 135mm and longer, zoom L lenses at least 70mm on their wide end and Canon TS-E Tilt-Shift lenses.
Auto-focus may or may not work depending on the lens but manual focus is always available.
- Autofocus is possible on any EOS camera when combined with a lens having an f/4 or faster maximum aperture.
- If the lens is attached to an EOS camera having multiple focusing points and an extender attached, only the center focusing point will be usable for AF.
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Canon 2x EF Extender (Teleconverter)(Doubler) |
The first version of Canon's 2x converter doubles focal length of most Canon telephoto lenses but 2 f-stops are lost. For example, f/2 becomes f/4, f2.8 becomes f/5.6, and f/4 becomes f/8.
Because the Canon EF 2x Extender is multiplying the aberrations/flaws of the lens it is mounted behind by 2x, there will be noticeable degradation in image quality when using the 2x. Sharpness and contrast take a hit with all but the best lenses. Additional Chromatic Aberration is introduced as is slight barrel distortion, but vignetting is somewhat reduced. The best 2x results will be made using a very sharp lens such as the Canon EF 300mm f/2.8 L IS USM Lens.
PLEASE NOTE:
attempting to mount a Canon extender on incompatible lenses may damage the rear lens element. Canon extenders simply do not fit behind the rear lens element on Canon's non-extender-compatible lenses.
As a rule, but subject to change, the compatible lenses include fixed focal length L lenses 135mm and longer, zoom L lenses at least 70mm on their wide end and Canon TS-E Tilt-Shift lenses.
Auto-focus may or may not work depending on the lens but manual focus is always available.
- Autofocus is possible on any EOS camera when combined with a lens having an f/4 or faster maximum aperture.
- If the lens is attached to an EOS camera having multiple focusing points and an extender attached, only the center focusing point will be usable for AF.
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Canon 150-600mm T5.6 Century 2000 Zoom Lens |
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Canon 33x J33x11B Lens |
- 2/3" B-4 Mount
- Focal Length: 11-363mm
- ENG style lens
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Canon 200mm T1.8 Telephoto Lens |
35mm, Arri PL Mount
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Canon 300mm T2.0 Telephoto Lens |
35mm, Arri PL Mount
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Canon HJ 40 x 10B IASD-V HD |
telephoto zoom lens w/stabilizer
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Canon Super8 camera |
auto zoom, fade in fade out Powered by 2 AA batteries
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Canon 300mm T2.8 (Series 2000) Telephoto Lens |
35mm, Arri PL Mount
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Canon 400mm T2.8 Telephoto Lens |
35mm
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Canon battery for 1D, 1Ds |
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Canon 580EX Speedlite E-TTL Shoe Mount Flash |
As the Canon top-of-the-line professional flash for the EOS-system, the Speedlite 580EX takes the best features from existing models and adds functionality that enhances digital photography. A more powerful flash with a maximum guide number of 58/191 at ISO 100 in meters/feet (at 105mm focal length), faster recycling, more consistent color and enhanced controls are among the improvements that all photographers, especially those who shoot digital, will find useful.
- Improved power supply design provides up to 25% improvement in flash recycle time
- Built-in AF-assist beam compatible with EOS multi-point AF systems including 45-point Area AF types
- Built-in catchlight reflector allows a catchlight to be added quickly and conveniently to portraits
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Canon EF-S 10-22mm f/3.5-4.5 USM Lens |
Product Highlights
■EF-S Mount Lens
■16-35mm (35mm Equivalent)
■Aperture Range: f/3.5-29
■UD and Three Aspherical Lens Elements
■Super Spectra Lens Coating
■Ultrasonic Autofocus Motor
■Manual Focus Override
■Truly Circular Diaphragm
■Minimum Focus Distance: 9.6"
■77mm Filter Thread Diameter
Filter Thread
77 mm
NOT COMPATIBLE WITH CANON 5D
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Canon 550EX Flash/Strobe |
Speedlite 550EX is compatible with all EOS models. Other main features include a maximum Guide Number of 180 (ISO 100, ft.), an AF-assist beam, FP Flash (high speed sync), FE lock (a flash version of AE lock), and FEB (Flash Exposure Bracketing). The Speedlite 550EX also incorporates a built-in wireless transmitter, which can control other Speedlite 550EX units set up as slave units.
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Canon EF 8-15mm f/4L Fisheye Zoom USM Lens |
The EF 8-15mm f/4L Fisheye USM Lens from Canon delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C. When the lens is used with full-frame cameras you can choose between a circular fisheye image or full-frame image by using the zoom.
When used with EOS bodies featuring APS-C or APS-H sensors, the lens produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. 'C' and 'H' markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor. For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the Canon EF 8-15mm f/4L Fisheye USM is a world-class choice.
With its Ultrasonic Motor (USM), and Floating Focus System the lens offers fast auto focus even down to a close 6.2" (0.16 m). The lens features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses. The rear gel holder holds up to 3 pre-cut filters. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time.
For all EOS SLR cameras with imaging formats ranging from full-frame to APS-C
Delivers 180° diagonal angle of view
Provides 180° circular fisheye images for full-frame cameras as well as full frame images when using the longer part of the zoom
Zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without vignetting for APS-C or APS-H sensors
Rear gel holder holds up to 3 pre-cut filters
Focus adjustment is through internal focusing and focus cam plus floating mechanism
The lens features UD glass and aspherical elements for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum
Full-time manual focus for instant switching from AF to Manual operation
Tight seal structure ensures excellent dust-proof and moisture-proof performance
Performance
Focal Length 8 - 15mm
Comparable APS-C 1.6x Focal Length: 12.8 - 24 mm
Aperture Maximum: f/4
Minimum: f/22
Camera Mount Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Canon (APS-H)
Angle of View 180° - 175° 30'
Minimum Focus Distance 6.2" (15.75 cm)
Magnification 0.34x
Maximum Reproduction Ratio 1:3
Elements/Groups 14/11
Diaphragm Blades 7
Features
Image Stabilization No
Autofocus Yes
Tripod Collar No
Physical
Filter Thread Rear: 1
Dimensions (DxL) Approx. 3.09 x 3.27" (78.5 x 83.0 mm)
Weight 1.19 lb (540 g)
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Canon 600mm f/4 IS Telephoto Lens |
35mm, Canon EF Mount
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Canon 600mm T4.5 Telephoto Lens |
35mm, Arri PL Mount
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Canon 800mm T5.6 Telephoto Lens |
35mm, Arri PL Mount
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Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount) |
The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300 of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water resistant housing to minimize maintenance.
The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions, allowing for easier lens swaps.
Key Features
Covers Full Frame and Super 35 sensors
11-blade iris
Focus breathing minimized to virtually zero
Distance markings on both sides of the barrel
Rear markings on an angled surface
Smooth, stepless 300 focus ring
Geared manual iris ring
Shares 114mm front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions with the rest of the CN-E line-up
Glass construction counteracts temperature-induced marking discrepancies
Dust and water resistant housing
Focus markings can be switched to metric labeling if you send the lens to Canon for modification
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Canon CN-E 20mm T1.5 L F Cinema Prime Lens (EF Mount) |
The Cinema prime CN-E20mm T1.5 L F lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema prime CN-E20mm T1.5 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design- this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 24mm T1.5 L F Cinema Prime Lens (EF Mount) |
The Canon CN-E 24mm T1.5 L F Cinema Prime Lens is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300 of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus with markings on both sides of the barrel, with the rear markings on an angled surface, making it readable form either side of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use.
The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions, allowing for easier swaps.
Key Features
Covers Full Frame and Super 35 sensors
11-blade iris
Focus breathing minimized to virtually zero
Markings on both sides of the barrel
Rear markings on an angled surface
Smooth, stepless 300 focus ring
Geared manual iris ring
Shares 114mm front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions with the rest of the CN-E line-up
Glass construction counteracts temperature induced marking discrepancies
Dust and water resistant housing
Focus markings can be switched to metric labeling if you send the lens to Canon for modification
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Canon CN-E 35mm T1.5 L F Cinema Prime Lens (EF Mount) |
The Cinema prime CN-E35mm T1.5 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema prime CN-E35mm T1.5 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 85mm T1.3 L F Cine Lens (EF Mount) |
The Cinema prime CN-E85mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema Prime CN-E85mm T1.3 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is perfect for any number of applications. It features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 135mm T2.2 LF Cinema Prime Lens (EF Mount) |
The Cinema prime CN-E 135mm T2.2 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the Cinema prime CN-E 135mm T2.2 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon Remote Switch RS-80N3 |
Remote switch for EOS cameras with the N3-type socket to prevent camera shake for super telephoto shots, macro photography shots and bulb exposures. The Remote Switch works just like a shutter button, enabling halfway or complete pressing. It has a shutter-release lock and a 2.6ft/80cm cord.
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Canon EOS-1D X Mark II DSLR Camera Body |
Immense power. Phenomenal speed. A remarkable combination of innovation and refinement. The new EOS-1D X Mark II camera is nothing but legendary every step of the way. Building on a heritage of sophisticated innovation, the EOS-1D X Mark II is blazingly fast. Up to 14 fps* (up to 16 fps* in Live View mode) can be captured at a burst rate of up to 170 RAWs with a CFast™ card, and an improved 61-point AF system helps deliver clean, sharp images quickly, even in dim light. This remarkable speed means faster recording too: 4K video can be recorded at up to 60 fps with smooth AF and strikingly clear detail. Combined with superb low-light performance thanks to its powerful sensor and expandable ISO range, the EOS-1D X Mark II performs brilliantly, swiftly and stunningly no matter when or where the photographer is shooting. From the stadium, safari or studio to virtually everywhere in between, the EOS-1D X Mark II maintains and enhances all the hallmarks of what Canon has to offer, marking a new page in the legacy of the EOS series of cameras.
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Canon EF 24-70mm f/2.8L II USM Lens |
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Canon EF 70-200mm f/2.8L IS USM 35mm Zoom Lens Mark II |
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Canon RF 70-200mm f/2.8 L IS USM Lens |
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Super UD Element, One UD Element
- Two Aspherical Elements
- Air Sphere and Fluorine Coatings
- Dual Nano USM AF System
- Optical Image Stabilizer
- Customizable Control Ring
- Detachable, Rotatable Tripod Collar
- Rounded 9-Blade Diaphragm
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